Some ealier photos of armours in Medieval & Renaissance Galleries
An examination of the collections of Blythe House, archive of the Victoria and Albert Museum, by Central Saint Martins researchers in the field of design. This project is mediated by the use of smartphone technology in the creative process.
Monday, 8 December 2014
Tuesday, 21 October 2014
an economist's view of the impact of Digital Evolution on our society
This is not specifically about the smartphone. It is about our society.
Where will we find our customers? what questions will designers have to pose to keep their angle?
who will have 'disposable' income? who will we be designing for?
please watch the vide0
The digital revolution is opening up a great divide between a skilled and wealthy few and the rest of society
The first two industrial revolutions inflicted plenty of pain but ultimately benefited everyone. The digital one may prove far more divisive, argues Ryan Avent
MOST PEOPLE ARE discomfited by radical change, and often for good reason. Both the first Industrial Revolution, starting in the late 18th century, and the second one, around 100 years later, had their victims who lost their jobs to Cartwright’s power loom and later to Edison’s electric lighting, Benz’s horseless carriage and countless other inventions that changed the world. But those inventions also immeasurably improved many people’s lives, sweeping away old economic structures and transforming society. They created new economic opportunity on a mass scale, with plenty of new work to replace the old.

A third great wave of invention and economic disruption, set off by advances in computing and information and communication technology (ICT) in the late 20th century, promises to deliver a similar mixture of social stress and economic transformation. It is driven by a handful of technologies—including machine intelligence, the ubiquitous web and advanced robotics—capable of delivering many remarkable innovations: unmanned vehicles; pilotless drones; machines that can instantly translate hundreds of languages; mobile technology that eliminates the distance between doctor and patient, teacher and student. Whether the digital revolution will bring mass job creation to make up for its mass job destruction remains to be seen.
Powerful, ubiquitous computing was made possible by the development of the integrated circuit in the 1950s. Under a rough rule of thumb known as Moore’s law (after Gordon Moore, one of the founders of Intel, a chipmaker), the number of transistors that could be squeezed onto a chip has been doubling every two years or so. This exponential growth has resulted in ever smaller, better and cheaper electronic devices. The smartphones now carried by consumers the world over have vastly more processing power than the supercomputers of the 1960s.
Moore’s law is now approaching the end of its working life. Transistors have become so small that shrinking them further is likely to push up their cost rather than reduce it. Yet commercially available computing power continues to get cheaper. Both Google and Amazon are slashing the price of cloud computing to customers. And firms are getting much better at making use of that computing power. In a book published in 2011, “Race Against the Machine”, Erik Brynjolfsson and Andrew McAfee cite an analysis suggesting that between 1988 and 2003 the effectiveness of computers increased 43m-fold. Better processors accounted for only a minor part of this improvement. The lion’s share came from more efficient algorithms.
The beneficial effects of this rise in computing power have been slow to come through. The reasons are often illustrated by a story about chessboards and rice. A man invents a new game, chess, and presents it to his king. The king likes it so much that he offers the inventor a reward of his choice. The man asks for one grain of rice for the first square of his chessboard, two for the second, four for the third and so on to 64. The king readily agrees, believing the request to be surprisingly modest. They start counting out the rice, and at first the amounts are tiny. But they keep doubling, and soon the next square already requires the output of a large ricefield. Not long afterwards the king has to concede defeat: even his vast riches are insufficient to provide a mountain of rice the size of Everest. Exponential growth, in other words, looks negligible until it suddenly becomes unmanageable.
Messrs Brynjolfsson and McAfee argue that progress in ICT has now brought humanity to the start of the second half of the chessboard. Computing problems that looked insoluble a few years ago have been cracked. In a book published in 2005 Frank Levy and Richard Murnane, two economists, described driving a car on a busy street as such a complex task that it could not possibly be mastered by a computer. Yet only a few years later Google unveiled a small fleet of driverless cars. Most manufacturers are now developing autonomous or near-autonomous vehicles. A critical threshold seems to have been crossed, allowing programmers to use clever algorithms and massive amounts of cheap processing power to wring a semblance of intelligence from circuitry.
Evidence of this is all around. Until recently machines have found it difficult to “understand” written or spoken language, or to deal with complex visual images, but now they seem to be getting to grips with such things. Apple’s Siri responds accurately to many voice commands and can take dictation for e-mails and memos. Google’s translation program is lightning-fast and increasingly accurate, and the company’s computers are becoming better at understanding just what its cameras (as used, for example, to compile Google Maps) are looking at.
At the same time hardware, from processors to cameras to sensors, continues to get better, smaller and cheaper, opening up opportunities for drones, robots and wearable computers. And innovation is spilling into new areas: in finance, for example, crypto-currencies like Bitcoin hint at new payment technologies, and in education the development of new and more effective online offerings may upend the business of higher education.
This wave, like its predecessors, is likely to bring vast improvements in living standards and human welfare, but history suggests that society’s adjustment to it will be slow and difficult. At the turn of the 20th century writers conjured up visions of a dazzling technological future even as some large, rich economies were limping through a period of disappointing growth in output and productivity. Then, as now, economists hailed a new age of globalisation even as geopolitical tensions rose. Then, as now, political systems struggled to accommodate the demands of growing numbers of dissatisfied workers.
Some economists are offering radical thoughts on the job-destroying power of this new technological wave. Carl Benedikt Frey and Michael Osborne, of Oxford University, recently analysed over 700 different occupations to see how easily they could be computerised, and concluded that 47% of employment in America is at high risk of being automated away over the next decade or two. Messrs Brynjolfsson and McAfee ask whether human workers will be able to upgrade their skills fast enough to justify their continued employment. Other authors think that capitalism itself may be under threat.
The global eclipse of labour
This special report will argue that the digital revolution is opening up a great divide between a skilled and wealthy few and the rest of society. In the past new technologies have usually raised wages by boosting productivity, with the gains being split between skilled and less-skilled workers, and between owners of capital, workers and consumers. Now technology is empowering talented individuals as never before and opening up yawning gaps between the earnings of the skilled and the unskilled, capital-owners and labour. At the same time it is creating a large pool of underemployed labour that is depressing investment.
The effect of technological change on trade is also changing the basis of tried-and-true methods of economic development in poorer economies. More manufacturing work can be automated, and skilled design work accounts for a larger share of the value of trade, leading to what economists call “premature deindustrialisation” in developing countries. No longer can governments count on a growing industrial sector to absorb unskilled labour from rural areas. In both the rich and the emerging world, technology is creating opportunities for those previously held back by financial or geographical constraints, yet new work for those with modest skill levels is scarce compared with the bonanza created by earlier technological revolutions.
All this is sorely testing governments, beset by new demands for intervention, regulation and support. If they get their response right, they will be able to channel technological change in ways that broadly benefit society. If they get it wrong, they could be under attack from both angry underemployed workers and resentful rich taxpayers. That way lies a bitter and more confrontational politics.
Monday, 20 October 2014
Freeform Catalan Thin-tile vault
This research project presents important advances in timbrel vaulting, made possible through innovation in form finding, guidework systems and construction methods.
A full-scale prototype has been realized with the application of new research in the following areas: newly developed structural design tools based upon the Thrust Network Approach (TNA), which allow one to generate novel shapes for funicular (i.e. compression-only) structures; an efficient cardboard box guidework system, which allows for a vaulted surface to be described in an accurate manner in space for the mason; and adaptations upon traditional timbrel vaulting techniques, which have introduced strategies for continuous tiling patterns, shell thickening, and sequencing for structural stability during construction.
Team: Lara Davis, Matthias Rippmann, Prof. Dr. Philippe Block
Collaborators: Tom Pawlofsky.
Sponsors: ZZ Wancor AG, Rigips.
A full-scale prototype has been realized with the application of new research in the following areas: newly developed structural design tools based upon the Thrust Network Approach (TNA), which allow one to generate novel shapes for funicular (i.e. compression-only) structures; an efficient cardboard box guidework system, which allows for a vaulted surface to be described in an accurate manner in space for the mason; and adaptations upon traditional timbrel vaulting techniques, which have introduced strategies for continuous tiling patterns, shell thickening, and sequencing for structural stability during construction.
Team: Lara Davis, Matthias Rippmann, Prof. Dr. Philippe Block
Collaborators: Tom Pawlofsky.
Sponsors: ZZ Wancor AG, Rigips.
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Free Form Vault View 02 |
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Free Form Vault Detail |
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Free Form Vault Construction |
Marc Burry, the Sagrada Familia and the SG11 Sound Responsive Wall
Marc Burry is an Architect from New Zealand, currently Professor of Innovation and Director of the Spatial Information Architecture Laboratory at RMIT University (SIAL), Melbourne, Australia.
He is also Executive Architect and Researcher at the Temple Sagrada FamÃlia in Barcelona, Catalonia,Spain.
His team’s digital explorations of Gaudi’s models which principles are described as “Associative Geometry”, have been a great inspiration. Here are some pages from my third year portfolio on the four Hyperbolic Paraboloids (hypar) which shape each columns of the “triforium gallery” at the Sagrada Familia:
He is also Executive Architect and Researcher at the Temple Sagrada FamÃlia in Barcelona, Catalonia,Spain.
His team’s digital explorations of Gaudi’s models which principles are described as “Associative Geometry”, have been a great inspiration. Here are some pages from my third year portfolio on the four Hyperbolic Paraboloids (hypar) which shape each columns of the “triforium gallery” at the Sagrada Familia:
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Marc Burry’s cluster at the last Smart Geometry event in Copenhagen produced the great work below based on Gaudi’s technique linked to Grasshopper. |
Drawings of Islamic Buildings.
The Alhambra
Granada, SpainBuilt chiefly in the 13th and 14th centuries
The Alhambra (from the Arabic, Al Hamra, meaning The Red) is an ancient mosque, palace and fortress complex built by the Moorish monarchs of Granada, in southern Spain. The name is probably derived from the colour of the sun-dried tapia of which the outer walls are built.
After the Christian conquest of the city in 1492, alterations were made to the buildings within the Alhambra. In particular, Charles V rebuilt portions of the complex in the Renaissance style of the period, and destroyed the greater part of the winter palace to make room for a Renaissance-style structure which has never been completed. In subsequent centuries, Moorish art was defaced and some of the towers were blown up.
Napoleon in fact attempted to blow up the entire complex; however his plan was thwarted when a soldier, who wanted the plan of his commander to fail, decided to defuse the explosives and therefore saved the Alhambra for posterity.
The Moorish portion of the Alhambra resembles many medieval Christian strongholds in its three-fold arrangement of castle, palace and residential annexe for subordinates. The extremely intricate ornament detailing in the Moorish Alhambra stands in stark contrast with Charles V’s Renaissance palace which consists predominately of white walls and no particular striking features.
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Charles Clifford, The Court of the Lions, Alhambra, albumen print photograph, about 1855. Museum no. 47:790
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The Hall of the Abencerrajes derives its name from a legend according to which Boabdil, the last king of Granada, having invited the chiefs of that illustrious line to a banquet, massacred them here. This room is a perfect square, with a lofty dome and trellised windows at its base. The roof is exquisitely decorated in blue, brown, red and gold, and the columns supporting it spring out into the arch form in a remarkably beautiful manner. Opposite to this hall is the Hall of the Two Sisters, so-called due to the two very beautiful white marble slabs laid as part of the pavement.
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Owen
Jones and Jules Goury, arched window from the volume ‘Plans,
elevations, sections & details of The Alhambra’, published 1837.
Museum no. 110.P.36
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William Harvey, Drawing of the Alhambra, pen & ink, indian ink, watercolour and pencil. Museum no. E.1274-1963
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History of the Silver Galleries at the V&A
Sunday, 19 October 2014
Tomorrow's treasures
Tomorrow's treasures
Artisans Jonathan Foyle reports on designers' attempts to create highly valued objects of the future using the craftsmanship of the past
FT, 18 october 2014
what should we do this craft traditions in the mechanised 21st century? we all play out unspoken answers each day, our houses reflecting tendencies towards a traditionalist or a contemporary bent. But in practice we - and our homes - always end up representing a compromise.
However cutting-edge, most furniture models a time-honoured meaning: you recognise a new chair by the expression of its ancient function, beyond the dynamic lines of its synthetic materials.
Yet if we value true craft traditions, how can we maintain their thread? Hand to eye skill upholds the experiences of elders, but generations are no longer rooted to places and local natural materials which become scarcer. Factory-made synthetics are cheap and disposable - not worth inheriting.
We have had too much of all that, says Rosy Greenlees, exec director of UK Craft Council. The demand for soulful objects that manifest a maker's intelligence, the wear and ingrained history of fine materials, have always exerted a pull. She claims that the situation has changed since the 2008 crash "people (…) are interested in ow well it's been made. And it's not just about beautiful objects - since the recession people want provenance and integrity.
Greenlees believes new investment in craft has a value beyond objects. Engineers, designers and surgeons need the manual dexterity that the apprenticed hand and eye can give. Handcrafted materials can drive future technology. (….she gives the example of glass designer Matt Durran who made moulds for growing human tissue that could withstand bioreactor which led to the first tissue engineered throat transplant...) and if the traditionally made, cutting edge technology is also a beautiful object, it is a bonus.
Artisans Jonathan Foyle reports on designers' attempts to create highly valued objects of the future using the craftsmanship of the past
FT, 18 october 2014
what should we do this craft traditions in the mechanised 21st century? we all play out unspoken answers each day, our houses reflecting tendencies towards a traditionalist or a contemporary bent. But in practice we - and our homes - always end up representing a compromise.
However cutting-edge, most furniture models a time-honoured meaning: you recognise a new chair by the expression of its ancient function, beyond the dynamic lines of its synthetic materials.
Yet if we value true craft traditions, how can we maintain their thread? Hand to eye skill upholds the experiences of elders, but generations are no longer rooted to places and local natural materials which become scarcer. Factory-made synthetics are cheap and disposable - not worth inheriting.
We have had too much of all that, says Rosy Greenlees, exec director of UK Craft Council. The demand for soulful objects that manifest a maker's intelligence, the wear and ingrained history of fine materials, have always exerted a pull. She claims that the situation has changed since the 2008 crash "people (…) are interested in ow well it's been made. And it's not just about beautiful objects - since the recession people want provenance and integrity.
Greenlees believes new investment in craft has a value beyond objects. Engineers, designers and surgeons need the manual dexterity that the apprenticed hand and eye can give. Handcrafted materials can drive future technology. (….she gives the example of glass designer Matt Durran who made moulds for growing human tissue that could withstand bioreactor which led to the first tissue engineered throat transplant...) and if the traditionally made, cutting edge technology is also a beautiful object, it is a bonus.
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